Judy Milazzo

Born in Mexico City on November 25, 1963. Studied abroad at the (Art Institute of ft. Lauderdale fl. USA). graduated in paris

Collective and individual exhibitions; various national and international galleries and museums.

Galeria Kin, Misrachi, Nucia Baran, 10-10, Divart gallery, Mexico. imss siglo xxi, gallery Castellanos camino real, gallery of the mission of senecu el paso Texas, Vacarella gallery Rome Italy, Ariel gallery, Agora gallery New York City. Chamber of Deputies Mexico Sixtieth Legislature, Chamber of Deputies of the State of Mexico. Chopo University Museum, Museum of Modern Art of the State of Mexico.

museum of art university of the Sorbonne Paris, Museum of the Commanderie Bordeaux France, Biennale

Sofia. Bulgaria, Chianchiano Terme Museum Biennale Italy, Florence Italy Biennale, Moya Museum of Young Art, Vienna Austria, Civic Center Cultural Center, Chicago ill. The London Biennale 2017 uk. museums both in Mexico and in Europe.

Awards from various competitions New York and Europe.

publications, magazines, TV channel 22 newspaper catalogs, books: Robotic Life, Time that Doesn’t Exist and Artistic Transcendence.

In the course of my career Investigating the unexpected recipe, after more than twenty years I discovered a technique which over time I have been polishing until I reach what I wanted.

My work begins with an Egyptian and pre-Hispanic influence, a graffiti alphabet that governs as signs of a remote cabal in memory of divine magic manifested in the creation of new images, continues with the importance of mathematics, this being the only exact answer to all the questions.

Proceed with doors that prevent me from entering prohibited areas, door element or closed window, exclusion and isolation outside of the defenseless individual.

Geometric figures emerge, which becomes (robotic life.) Where everything is transformed into a robotic life Who dominates the routine of the human being.

When I find myself threatened by time, the conflict that endures. A new series called (The Time that Doesn’t Exist) being this the witness of everything that happens, the same one that keeps everything and disappears it.

And so begins a stage in which I feel like I’m fading. without finding answers

Which makes me reflect on all these concerns.

Going to a new stage (Perception) a strong influence of graphite which are graphic illustrations and writings of various forms of expression. of different problems. The concern of the global crisis and problematic embodied in various forms. In this new stage I capture in my canvases and sculptures the resentment of all this problem. Admiring the beauty of the graphite.

This being the one who leads me to a new stage, an unknown zone where I find that everything around me is nothing more than an optical illusion.